Here at the Royal Exchange Theatre we want to support artists within Greater Manchester to be creatively ambitious with their work and encourage the sharing…
There’s an interesting two-part exchange under the last Bruntwood Readers’ Blog post, “The Feminist Gaze,” by Meg Vaughan. In it, below-the-line, “James Wang” asserts: “A…
This is the second time I’ve read for Bruntwood. In the two years since the 2015 competition I’ve been struck by images from those…
The 2017 Bruntwood Prize live-stream workshops have wrapped up, but why not re-watch this year’s brilliant writers again to prep your Bruntwood Prize entry? April de…
Deciding to enter the Bruntwood Prize in 2015 was one of the best decisions I ever made. I wasn’t going to. I’d entered twice before:…
I started writing The Almighty Sometimes five years ago as part of my Masters degree at Goldsmiths. I’d spent most of the year writing a…
It’s taken me a long time to write HOW MY LIGHT IS SPENT. I’m talking years here; it’s has been a mixture of persistence and…
Script readers are the unsung heroes of playwriting competitions. Bruntwood has three phases of reading before the longlist of 100 plays is chosen. In 2015…
