On togetherness
Together used to seem like a simple word. Freelance arts journalist, theatre critic and academic Catherine Love gives the idea…
Dear Writer: A letter to you from Matilda Feyiṣayọ Ibini
Just like there isn’t the perfect story, there isn’t the perfect route. Writer for stage and screen Matilda Feyiṣayọ Ibini…
On how to write an audio drama (sort of)
James Fritz won a Judges Award at the Bruntwood Prize for Playwrighting 2015 for his play PARLIAMENT SQUARE. In 2017…
On not writing
Chinonyerem Odimba was shortlisted for the Bruntwood Prize for Playwrighting in 2015 for WILD IS DE WIND. She guides you…
On devising
Writer and theatre-maker Sonia Jalaly considers starting points for devising and working with a group of young people to birth…
On narrative design
Instead of alternate endings, Hannah Nicklin wants you to churn up the belly of your work. The games writer and…
On writing with creative technologies
Sharon is a playwright, dramaturg and Creative Director of Raucous, a Bristol-based theatre company that fuses performance, music, film, AR,…
On taking stock and getting started (again)
Arts spaces will be back, so get ready to make your boldest work yet. Kieran Knowles, who was longlisted for…
On trust and beginnings
kimber lee won the inaugural International Award at the Bruntwood Prize for Playwriting 2019 for her play UNTITLED F*CK M*SS…
Ten survival tips for writers
Bruntwood Prize winning playwright Anna Jordan has been sharing #WritersSurvivalTips on her Twitter, and we are fortunate to be able…