It’s an extraordinary privilege to celebrate the remarkable achievement of our 100 longlisted writers as part of the 20th anniversary of the Bruntwood Prize for Playwriting. These playwrights have shared their imaginations, vulnerabilities, and artistic visions with us, and that act of creative courage deserves our deepest admiration. Each script represents not just a story, but a unique voice and perspective that enriches who we are today. The diversity of themes, styles, and innovations our readers have encountered speaks to the vibrant health of new writing across the UK and internationally. The Bruntwood Prize continues to be a vital platform for discovering exceptional talent, and the Royal Exchange is honoured to be part of this journey. I look forward to reading the shortlist of plays and to be part of this unique journey of theatrical discovery.
– Selina Cartmell, Artistic Director of the Royal Exchange Theatre and 2025 Judge
Over the past four months we’ve been through a rigorous and anonymous reading process with a panel of varied readers in order to reach this Longlist. All plays submitted for the competition are subjected to the same criteria. You can read more about that process here. And it’s not quite finished yet. Our readers are still working towards the Shortlist of fifteen plays that we share with the judges for the award, and all scripts continue to remain strictly anonymous throughout this process. So if you see your title below feel free to celebrate but we ask that you don’t reveal the title publicly until the announcement of the Shortlist the week commencing Monday 23rd June.
We make this Longlist announcement publicly here to ensure swift communication because many writers chose to enter with anonymised email addresses that might not be checked regularly. For more information about next steps, please see the bottom of this page.
The Bruntwood Prize for Playwriting 2025 Longlist
Maxi Martin | 4x4xLouder |
Herman Melville | a carriage accident |
Mr Smith | A Peccable Practice |
Just Wrighting Plays | ALL MY FRIENDS ARE DEAD |
Tide | Atatürk’s Daughter |
Mair Chatten | beats per minute |
Ribbit Ribbit | Big Frog |
Cole Orchid | Blood in a Milk Bottle |
Wheeze | calcite. |
Boy in the Yellow Hat | Chasing Dragons |
Princess Anonymous | Cocaine Bust |
Eva | Conjure |
isoretro | CONTENT |
Cricket | Coziness |
Rumours by Fleetwood Mac | Creation Myth |
Ariane | Dark Stars in Perfect Skies |
Julian Anderson | DINGUS |
CreeSummerFan7 | DJS are Griots too |
Noel is a Coward | DOG DOG DOG |
Night Driver | Dream Body |
Jordan Strelitzia | Drunk Hamsters Sharing Confessions in a Locked Cage |
Beady Cookie | Exceptional |
Pearl | Exposure |
Grace Poulter | Eyam |
Daisy Desnos | Fame and Condiments |
Mye Celium | Foxfire |
Millicent Pak | Franchise Me |
Derry Saunders | Hindrelag |
Mary Mohammadi | HOME |
LJ Larson | How to Kill Your Darlings |
Ida Mallard | how to prepare a duck dot mov |
Meg Strong | Island Chains |
JONAS SOREL | Knowledge |
Aunt May | Lambs |
Sue Denim | Last Night on Earth |
LovellLovell | lemon jelly |
Jeanell Dedaux | Let It Use You |
Gus Nolan | Man to Man. |
Ariadne | Medusa |
Charlie Dixon | Midnight Ink |
Angel Phounebiel | Miracle |
MTL | Moose. |
On Belay | MOTHER TONGUE |
Niylah Mills | Nebulae |
joan | Northern Folk |
JaffaDaffadil | ORDINARY SEX |
b cullingford | ORPHEUS |
Aaron Blampied | Parallel Play |
Woodi | Pennies |
Petitioner Number 3041 | Proof |
Imalda Grant | Przewalksi’s Horses |
Derren Brown | R Lady’s |
Pip Squeak | Real Person |
true stories | Reap |
G. Whizz | SABRINA |
Clown Palace | Safe Space |
Martin Bale | self / disruption |
HackneyOctopus | SHOOTERS |
Kodis Abarra | Shrine |
Matthew Kumari | Sin. Shame. Salvation. |
Do-Won Peterson | Somebody is Looking Back At Me |
CJ Hearth | Souffler |
Becciness | Soup for Mother |
AkinsEagle | SPREAD |
Rose | Stuff |
Mo Problems | The Annunciation |
Alan Wake | the attack of the 50ft black woman |
Porkinator24 | The Beast Without |
Blackcurrant Capri Sun | THE CLUB |
SweetLykChocl8 | The Damnation of Divine |
Beets | The Day Aarón Came to Town and Some Stuff That Happened Next |
Noc Donk | The Dry |
Very Merry Mary | the grenoble sisters |
Max Bellaret | The Kompormats |
boids | The Line |
All Hallows Evensong | The Lords of Creation |
Ava Swallow | The Lovely Girls of Lakewell |
Thomas Butters | The Midnight Layer |
amberg | The Pass |
Alice | The Plan |
Inigo Edwards | The Silver |
Maura McGovern | The Sociology of Deviance |
bobbin | The Stone Woman |
Qwerty Uiop | The Tide |
Frank Carpet | The Urmetazoan |
Juliet Buckley | The Veiled Pedestal |
Juno Maguire | Three Boys |
Teddy Thomas | Three Jacks |
Tasha Harrison | Title withheld due to anonymity |
Carmen Delia Nieves | Title withheld due to anonymity |
sunshinelibrary | UJAMAA |
Flatbush Flaneur | Under the Sovereign Pleasures of God |
Polly Thacker | Untitled Play About Boys |
wow platinum | Voyagers |
Jo Pot | Walking Barefoot |
John Prawn | Welcome to Pemfort |
whetu | We’re Gonna Kill Richard |
IMT | What I Think of my Husband |
V Rotaru | while we burn |
jo iorio | Work of Devotion |
Next steps
- with the shortlisted writers directly by telephone on Friday 16th May
- with all longlisted writers by email early in the week commencing Monday 19th May
The Judges will then receive the Shortlist of 15 plays and will meet on Monday 16th June to deliberate. These shortlisted playwrights will not be announced until the week commencing Monday 23rd June to allow for this final stage of the judging process to take place in total anonymity.
We will be in touch with all longlisted writers via the email address supplied on submitting your script. We will then provide a full script report to support the further life of your play – including responses, feedback and questions raised throughout the reading process and suggestions and provocations for a new draft should you be undertaking one. These script reports are freshly commissioned from a new phase of readers, with access to the comments of all previous readers. They will be shared with longlisted writers by Monday 1st September.
We also seek to introduce longlisted writers to any readers who might be directors or other creatives who’ve expressed an interest in making contact about your work. For writers based outside London, we’ll look to introduce you to your regional producing theatres in consultation with you. And as the Royal Exchange Theatre is based in Manchester, we will also be in touch to meet any writers based in the North West ourselves.
We do not currently have the capacity to enter into any other correspondence about where your script reached in the reading process. We are unable to give feedback on scripts which did not make it into the Longlist, due to both the high number of entries we receive and our commitment to providing all feedback as a constructive and full script report to support writers with the next phase of their work.