Firstly a huge congratulations to every writer who wrote and submitted a play to the competition this year. Finishing and sharing a play is an act of boldness and tenacity and our team of readers have been struck by the breadth, imagination and inventiveness of the work submitted this year. There are many many brilliant plays we haven’t been able to recognise on this list. Thank you to everyone who shared their work with us.

It’s an extraordinary privilege to celebrate the remarkable achievement of our 100 longlisted writers as part of the 20th anniversary of the Bruntwood Prize for Playwriting. These playwrights have shared their imaginations, vulnerabilities, and artistic visions with us, and that act of creative courage deserves our deepest admiration. Each script represents not just a story, but a unique voice and perspective that enriches who we are today. The diversity of themes, styles, and innovations our readers have encountered speaks to the vibrant health of new writing across the UK and internationally. The Bruntwood Prize continues to be a vital platform for discovering exceptional talent, and the Royal Exchange is honoured to be part of this journey. I look forward to reading the shortlist of plays and to be part of this unique journey of theatrical discovery.

– Selina Cartmell, Artistic Director of the Royal Exchange Theatre and 2025 Judge

Over the past four months we’ve been through a rigorous and anonymous reading process with a panel of varied readers in order to reach this Longlist. All plays submitted for the competition are subjected to the same criteria. You can read more about that process here. And it’s not quite finished yet. Our readers are still working towards the Shortlist of fifteen plays that we share with the judges for the award, and all scripts continue to remain strictly anonymous throughout this process. So if you see your title below feel free to celebrate but we ask that you don’t reveal the title publicly until the announcement of the Shortlist the week commencing Monday 23rd June.

We make this Longlist announcement publicly here to ensure swift communication because many writers chose to enter with anonymised email addresses that might not be checked regularly. For more information about next steps, please see the bottom of this page.

The Bruntwood Prize for Playwriting 2025 Longlist

Pseudonym                            Title
Maxi Martin 4x4xLouder
Herman Melville a carriage accident
Mr Smith A Peccable Practice
Just Wrighting Plays ALL MY FRIENDS ARE DEAD
Tide Atatürk’s Daughter
Mair Chatten beats per minute
Ribbit Ribbit Big Frog
Cole Orchid Blood in a Milk Bottle
Wheeze calcite.
Boy in the Yellow Hat Chasing Dragons
Princess Anonymous Cocaine Bust
Eva Conjure
isoretro CONTENT
Cricket Coziness
Rumours by Fleetwood Mac Creation Myth
Ariane Dark Stars in Perfect Skies
Julian Anderson DINGUS
CreeSummerFan7 DJS are Griots too
Noel is a Coward DOG DOG DOG
Night Driver Dream Body
Jordan Strelitzia Drunk Hamsters Sharing Confessions in a Locked Cage
Beady Cookie Exceptional
Pearl Exposure
Grace Poulter Eyam
Daisy Desnos Fame and Condiments
Mye Celium Foxfire
Millicent Pak Franchise Me
Derry Saunders Hindrelag
Mary Mohammadi HOME
LJ Larson How to Kill Your Darlings
Ida Mallard how to prepare a duck dot mov
Meg Strong Island Chains
JONAS SOREL Knowledge
Aunt May Lambs
Sue Denim Last Night on Earth
LovellLovell lemon jelly
Jeanell Dedaux Let It Use You
Gus Nolan Man to Man.
Ariadne Medusa
Charlie Dixon Midnight Ink
Angel Phounebiel Miracle
MTL Moose.
On Belay MOTHER TONGUE
Niylah Mills Nebulae
joan Northern Folk
JaffaDaffadil ORDINARY SEX
b cullingford ORPHEUS
Aaron Blampied Parallel Play
Woodi Pennies
Petitioner Number 3041 Proof
Imalda Grant Przewalksi’s Horses
Derren Brown R Lady’s
Pip Squeak Real Person
true stories Reap
G. Whizz SABRINA
Clown Palace Safe Space
Martin Bale self / disruption
HackneyOctopus SHOOTERS
Kodis Abarra Shrine
Matthew Kumari Sin. Shame. Salvation.
Do-Won Peterson Somebody is Looking Back At Me
CJ Hearth Souffler
Becciness Soup for Mother
AkinsEagle SPREAD
Rose Stuff
Mo Problems The Annunciation
Alan Wake the attack of the 50ft black woman
Porkinator24 The Beast Without
Blackcurrant Capri Sun THE CLUB
SweetLykChocl8 The Damnation of Divine
Beets The Day Aarón Came to Town and Some Stuff That Happened Next
Noc Donk The Dry
Very Merry Mary the grenoble sisters
Max Bellaret The Kompormats
boids The Line
All Hallows Evensong The Lords of Creation
Ava Swallow The Lovely Girls of Lakewell
Thomas Butters The Midnight Layer
amberg The Pass
Alice The Plan
Inigo Edwards The Silver
Maura McGovern The Sociology of Deviance
bobbin The Stone Woman
Qwerty Uiop The Tide
Frank Carpet The Urmetazoan
Juliet Buckley The Veiled Pedestal
Juno Maguire Three Boys
Teddy Thomas Three Jacks
Tasha Harrison Title withheld due to anonymity
Carmen Delia Nieves Title withheld due to anonymity
sunshinelibrary UJAMAA
Flatbush Flaneur Under the Sovereign Pleasures of God
Polly Thacker Untitled Play About Boys
wow platinum Voyagers
Jo Pot Walking Barefoot
John Prawn Welcome to Pemfort
whetu We’re Gonna Kill Richard
IMT What I Think of my Husband
V Rotaru while we burn
jo iorio Work of Devotion

Next steps

If your play is in the Longlist, it’s currently in the process of reading and discussion for the Shortlist. Please don’t throw away your anonymity at this stage! Once the Shortlist has been selected, we will be in touch as follows:
  • with the shortlisted writers directly by telephone on Friday 16th May 
  • with all longlisted writers by email early in the week commencing Monday 19th May 

The Judges will then receive the Shortlist of 15 plays and will meet on Monday 16th June to deliberate. These shortlisted playwrights will not be announced until the week commencing Monday 23rd June to allow for this final stage of the judging process to take place in total anonymity.

We will be in touch with all longlisted writers via the email address supplied on submitting your script. We will then provide a full script report to support the further life of your play – including responses, feedback and questions raised throughout the reading process and suggestions and provocations for a new draft should you be undertaking one. These script reports are freshly commissioned from a new phase of readers, with access to the comments of all previous readers. They will be shared with longlisted writers by Monday 1st September.

We also seek to introduce longlisted writers to any readers who might be directors or other creatives who’ve expressed an interest in making contact about your work. For writers based outside London, we’ll look to introduce you to your regional producing theatres in consultation with you. And as the Royal Exchange Theatre is based in Manchester, we will also be in touch to meet any writers based in the North West ourselves.

We do not currently have the capacity to enter into any other correspondence about where your script reached in the reading process. We are unable to give feedback on scripts which did not make it into the Longlist, due to both the high number of entries we receive and our commitment to providing all feedback as a constructive and full script report to support writers with the next phase of their work.